How should we approach to this music. The most immediate is content, and because of an established prejudice, it goes around timbre. However, once one can trespass that hegemonic listening, one can see that this music is about form. It's a language. It's how Agustí deals with those materials. There's something about narration that makes the word "narration" become quite useless.
So the question is: is Agustí Fernández a great pianist or a great musician approaching the piano? matador-uy
"...the vast halls of silence illustrated by a single harmonic, the groaning bari-ous vistas, the flocks of cymbals across a distant sky, the brutal (dis)storms…"
Full review: http://bit.ly/TalvegArb a Jazz Noise
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